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Comedian booking
Regional and international acts, headliners, support and compères, with contracting and riders.
The short version
Comedy lives or dies on the room. Sightlines, ceiling height, how close the front row sits, how quickly the bar queue clears, whether the sound carries the quiet lines as well as the loud ones. We book the bill, set the room up to serve the material, and run the night so each act gets the audience it was promised.
What’s included
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Regional and international acts, headliners, support and compères, with contracting and riders.
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Rooms chosen and laid out for sightlines, intimacy and sound, not just capacity.
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Vocal-first system design, a clean spot and a stage that reads from the back row.
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Pre-sale, door lists, seating tiers and a door team that gets everyone in before the first act.
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Compère briefing, running order, set timings and the hard stop.
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Material reviewed against venue and audience expectations before the night, not after.
Yes, through our regional booking network, including the visa and permit work that comes with them.
Yes. We review the bill against the venue, the audience and local expectations in advance. It is a planning conversation, not a night-of surprise.
Often the strongest use of it. A twenty-minute set after dinner lands better than a full show, and we will say so.
Tell us the idea. We’ll craft the memory.